Hungryxghost (talk | contribs) (Created page with "<!------------------------> <!-- do not remove this --> <div id="{{PAGENAME}}" class="comment"> <!------------------------> I appreciate the types of paradoxes that your contribution addresses. Perhaps related, a quote by Benjamin Noys about the paradox of value: “This paradox is simply stated: on the one hand, the artist is the most capitalist subject, the one who subjects themselves to value extraction willingly and creatively, who prefigures the dominant trend lin...") |
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I appreciate the types of paradoxes that your contribution addresses. Perhaps related, a quote by Benjamin Noys about the paradox of value: “This paradox is simply stated: on the one hand, the artist is the most capitalist subject, the one who subjects themselves to value extraction willingly and creatively, who prefigures the dominant trend lines of contemporary capitalism [...] on the other hand, the artist is the least capitalist subject, the one who resists value extraction through an alternative and excessive self-valorisation that can never be contained by capitalism." | I appreciate the types of paradoxes that your contribution addresses. Perhaps related, a quote by Benjamin Noys about the paradox of value: “This paradox is simply stated: on the one hand, the artist is the most capitalist subject, the one who subjects themselves to value extraction willingly and creatively, who prefigures the dominant trend lines of contemporary capitalism [...] on the other hand, the artist is the least capitalist subject, the one who resists value extraction through an alternative and excessive self-valorisation that can never be contained by capitalism." | ||
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Latest revision as of 13:58, 1 February 2024
I appreciate the types of paradoxes that your contribution addresses. Perhaps related, a quote by Benjamin Noys about the paradox of value: “This paradox is simply stated: on the one hand, the artist is the most capitalist subject, the one who subjects themselves to value extraction willingly and creatively, who prefigures the dominant trend lines of contemporary capitalism [...] on the other hand, the artist is the least capitalist subject, the one who resists value extraction through an alternative and excessive self-valorisation that can never be contained by capitalism."