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'''In-grid''' is a London-based trans*feminist collective of artists/educators/technologists working in and around digital infrastructure. | '''In-grid''' is a London-based trans*feminist collective of artists/educators/technologists working in and around digital infrastructure. | ||
'''Minor Compositions''' is a publisher of books and media drawing from autonomous politics, avant-garde aesthetics, and the revolutions of everyday life. | <!--'''Minor Compositions''' is a publisher of books and media drawing from autonomous politics, avant-garde aesthetics, and the revolutions of everyday life.--> | ||
'''noNames''' (aka Slade School of Fine Art, part of the University College London, and CSNI, a research centre at London South Bank University). | '''noNames''' (aka Slade School of Fine Art, part of the University College London, and CSNI, a research centre at London South Bank University). | ||
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'''SHAPE''' is a research project at Aarhus University focussed on digital citizenship. | '''SHAPE''' is a research project at Aarhus University focussed on digital citizenship. | ||
'''Systerserver''' is | '''Systerserver''' is a community-run server, cared by feminists, offering FOSS tools to its network of feminists, queers and trans, such as mailing lists, code repository, federated social media about cyber and techno-feminism, and a VPN for their community. | ||
<u>+ names (max. 100 words)</u> | <u>+ names (max. 100 words)</u> | ||
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'''Christian Ulrik Andersen''' is Associate Professor in Digital Design and Information Studies at Aarhus University. His research explores the art, culture, and aesthetics of interfaces – including theoretical work (e.g., ''The Metainterface'', MIT Press 2018), experimental work, editorial work (including the journal ''APRJA'') and a long-term collaboration with transmediale festival, Berlin. He is currently a Carlsberg Monograph Fellow at Aarhus Institute of Advanced Studies working on how sustainability, diversity, and pluralism are integrated into technologies as a response to the environmental, cultural, and societal effects of Big Tech. | '''Christian Ulrik Andersen''' is Associate Professor in Digital Design and Information Studies at Aarhus University. His research explores the art, culture, and aesthetics of interfaces – including theoretical work (e.g., ''The Metainterface'', MIT Press 2018), experimental work, editorial work (including the journal ''APRJA'') and a long-term collaboration with transmediale festival, Berlin. He is currently a Carlsberg Monograph Fellow at Aarhus Institute of Advanced Studies working on how sustainability, diversity, and pluralism are integrated into technologies as a response to the environmental, cultural, and societal effects of Big Tech. | ||
''' | '''Simon Bowie''' is an open source software developer focused on community-owned and scholar-led open publishing infrastructures who worked on the COPIM and Open Book Futures projects as part of the Experimental Publishing Group. His academic work focuses on open source software and open access publishing, radical librarianship, posthumanism, and cultural expression of irony and sincerity. More info: https://simonxix.com | ||
'''Geoff Cox''' works across the fields of computational culture, contemporary art, and image politics, expressed though numerous projects, published works and editorial roles including The Contemporary Condition (Sternberg Press), and DATA browser (Open Humanities Press). He is currently Professor of Art and Computational Culture and Director of the Digital x Data Research Centre and CSNI at London South Bank University, as well as Adjunct Professor at Aarhus University. More info: [http://www.anti-thesis.net www.anti-thesis.net] | |||
'''Mara Karagianni''' is an Open Source Software Developer and independent researcher interested in digital infrastructure politics and governance, computational publishing, technical diagramming and visualisation. Projects include browser extensions, e-literature, code poems and artistic & technical manuals. More info: https://mara.multiplace.org/ | |||
'''Rebekka Kiesewetter''' is a Research Fellow at Coventry University and a member of the Experimental Publishing Group of the ''Open Book Futures'' (OBF) project. She also works on the ''Materialising Open Research Practices in the HSS'' (MORPHSS) research project. Among other things, her research focuses on knowledge equity and diversity in academic publishing; the psychosocial and emotional dimensions of scholarly labour; and the pasts, presents, and futures of radical open access publishing. She is a co-convener of the Radical Open Access Collective and a co-editor of ''continent.'' journal and the ''Combinatorial Books: Gathering Flowers'' book series (Open Humanities Press). | '''Rebekka Kiesewetter''' is a Research Fellow at Coventry University and a member of the Experimental Publishing Group of the ''Open Book Futures'' (OBF) project. She also works on the ''Materialising Open Research Practices in the HSS'' (MORPHSS) research project. Among other things, her research focuses on knowledge equity and diversity in academic publishing; the psychosocial and emotional dimensions of scholarly labour; and the pasts, presents, and futures of radical open access publishing. She is a co-convener of the Radical Open Access Collective and a co-editor of ''continent.'' journal and the ''Combinatorial Books: Gathering Flowers'' book series (Open Humanities Press). | ||
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'''Winnie Soon''' is a Hong Kong-born artist, coder and researcher interested in the cultural implications of digital infrastructure that addresses wider power asymmetries. Their works have been presented internationally across museums, galleries, festivals, and distributed networks. Currently, Winnie is an Associate Professor and Director of Art and Technology Studies at the Slade School of Fine Art, University College London. More info: [http://www.siusoon.net www.siusoon.net] | '''Winnie Soon''' is a Hong Kong-born artist, coder and researcher interested in the cultural implications of digital infrastructure that addresses wider power asymmetries. Their works have been presented internationally across museums, galleries, festivals, and distributed networks. Currently, Winnie is an Associate Professor and Director of Art and Technology Studies at the Slade School of Fine Art, University College London. More info: [http://www.siusoon.net www.siusoon.net] | ||
'''nate wessalowski''' is a technofeminist researcher at the University of Münster, Germany. Both their scholarly work and teaching as well as their activist-artistic practice evolve around feminist data, hacking, collectively hosted servers and the decentralized social media commons of the Fediverse. | |||
Latest revision as of 13:44, 26 January 2026
In-grid is a London-based trans*feminist collective of artists/educators/technologists working in and around digital infrastructure.
noNames (aka Slade School of Fine Art, part of the University College London, and CSNI, a research centre at London South Bank University).
Open Book Future’s Experimental Publishing Group researches and supports experimental open access book publishing in the arts and humanities.
SHAPE is a research project at Aarhus University focussed on digital citizenship.
Systerserver is a community-run server, cared by feminists, offering FOSS tools to its network of feminists, queers and trans, such as mailing lists, code repository, federated social media about cyber and techno-feminism, and a VPN for their community.
+ names (max. 100 words)
Christian Ulrik Andersen is Associate Professor in Digital Design and Information Studies at Aarhus University. His research explores the art, culture, and aesthetics of interfaces – including theoretical work (e.g., The Metainterface, MIT Press 2018), experimental work, editorial work (including the journal APRJA) and a long-term collaboration with transmediale festival, Berlin. He is currently a Carlsberg Monograph Fellow at Aarhus Institute of Advanced Studies working on how sustainability, diversity, and pluralism are integrated into technologies as a response to the environmental, cultural, and societal effects of Big Tech.
Simon Bowie is an open source software developer focused on community-owned and scholar-led open publishing infrastructures who worked on the COPIM and Open Book Futures projects as part of the Experimental Publishing Group. His academic work focuses on open source software and open access publishing, radical librarianship, posthumanism, and cultural expression of irony and sincerity. More info: https://simonxix.com
Geoff Cox works across the fields of computational culture, contemporary art, and image politics, expressed though numerous projects, published works and editorial roles including The Contemporary Condition (Sternberg Press), and DATA browser (Open Humanities Press). He is currently Professor of Art and Computational Culture and Director of the Digital x Data Research Centre and CSNI at London South Bank University, as well as Adjunct Professor at Aarhus University. More info: www.anti-thesis.net
Mara Karagianni is an Open Source Software Developer and independent researcher interested in digital infrastructure politics and governance, computational publishing, technical diagramming and visualisation. Projects include browser extensions, e-literature, code poems and artistic & technical manuals. More info: https://mara.multiplace.org/
Rebekka Kiesewetter is a Research Fellow at Coventry University and a member of the Experimental Publishing Group of the Open Book Futures (OBF) project. She also works on the Materialising Open Research Practices in the HSS (MORPHSS) research project. Among other things, her research focuses on knowledge equity and diversity in academic publishing; the psychosocial and emotional dimensions of scholarly labour; and the pasts, presents, and futures of radical open access publishing. She is a co-convener of the Radical Open Access Collective and a co-editor of continent. journal and the Combinatorial Books: Gathering Flowers book series (Open Humanities Press).
Nicolas Malevé is currently a postdoc at SciencesPo Medialab and School of Law. His current research focuses on the controversies between visual artists and artificial image generation platforms. This work lies at the intersection of aesthetics and computer science. As part of the PostGenAI@Paris project, he is studying how the questions raised therein relate to the formalising mechanisms of law and the ways of seeing at play in the legal world.
Winnie Soon is a Hong Kong-born artist, coder and researcher interested in the cultural implications of digital infrastructure that addresses wider power asymmetries. Their works have been presented internationally across museums, galleries, festivals, and distributed networks. Currently, Winnie is an Associate Professor and Director of Art and Technology Studies at the Slade School of Fine Art, University College London. More info: www.siusoon.net
nate wessalowski is a technofeminist researcher at the University of Münster, Germany. Both their scholarly work and teaching as well as their activist-artistic practice evolve around feminist data, hacking, collectively hosted servers and the decentralized social media commons of the Fediverse.