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I have been thinking what makes the manifesto different with the internet. As you mentioned internet is a publishing infrastructure, how is it different from a medium in terms of performativity? I think temporality and spatiality is one of the aspects to think about it, also in terms of speed and scaling. I also think of Katherline Hayles's text: My Mother Was a Computer: Digital Subjects and Literary Texts, and in one of the chapters on "intermediation", it talks about textuality and computation which discusses a more unique aspect of code (or performativity of code if you wish). Perhaps it will be useful. (Winnie) | I have been thinking what makes the manifesto different with the internet. As you mentioned internet is a publishing infrastructure, how is it different from a medium in terms of performativity? I think temporality and spatiality is one of the aspects to think about it, also in terms of speed and scaling. I also think of Katherline Hayles's text: My Mother Was a Computer: Digital Subjects and Literary Texts [https://www.researchgate.net/publication/41589977_My_Mother_Was_A_Computer_Digital_Subjects_and_Literary_Texts], and in one of the chapters on "intermediation", it talks about textuality and computation which discusses a more unique aspect of code (or performativity of code if you wish). Perhaps it will be useful. (Winnie) | ||
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Latest revision as of 11:27, 1 February 2024
I have been thinking what makes the manifesto different with the internet. As you mentioned internet is a publishing infrastructure, how is it different from a medium in terms of performativity? I think temporality and spatiality is one of the aspects to think about it, also in terms of speed and scaling. I also think of Katherline Hayles's text: My Mother Was a Computer: Digital Subjects and Literary Texts [1], and in one of the chapters on "intermediation", it talks about textuality and computation which discusses a more unique aspect of code (or performativity of code if you wish). Perhaps it will be useful. (Winnie)