Content-Form/Bibliography/Bilyana: Difference between revisions

This page was last edited on 1 February 2024, at 15:39.
(Created page with "Bilyana * Dekker, Annet, and Gaia Tedone. 2019. “Networked Co-Curation: An Exploration of the Socio-Technical Specificities of Online Curation.” ''Arts'' 8 (3): 86. <nowiki>https://doi.org/10.3390/arts8030086</nowiki>. * Ghidini, Marialaura. 2019. “Curating on the Web: The Evolution of Platforms as Spaces for Producing and Disseminating Web-Based Art.” ''Arts'' 8 (3): 78. <nowiki>https://doi.org/10.3390/arts8030078</nowiki>. * Graham, Beryl, and Sarah Cook. 2010...")
 
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Bilyana
<div class="contribution-title">[[Bilyana - Art-as-content|Art-as-content]]</div>


* Dekker, Annet, and Gaia Tedone. 2019. “Networked Co-Curation: An Exploration of the Socio-Technical Specificities of Online Curation.” ''Arts'' 8 (3): 86. <nowiki>https://doi.org/10.3390/arts8030086</nowiki>.
* Ghidini, Marialaura. 2019. “Curating on the Web: The Evolution of Platforms as Spaces for Producing and Disseminating Web-Based Art.” ''Arts'' 8 (3): 78. <nowiki>https://doi.org/10.3390/arts8030078</nowiki>.
* Graham, Beryl, and Sarah Cook. 2010. ''Rethinking Curating: Art after New Media''. Leonardo Books. Cambridge, Massachusetts: MIT Press.
* Groys, Boris. 2014. ''On The New''. London: Verso.
* Groys, Boris. 2014. ''On The New''. London: Verso.
* Hromack, Sarah. 2015. “Another ‘C’ Word: On Content and the (Techno) Curatorial.” ''Red Hook Journal, CCS Bard'', Art Publishing & The Web, , March. <nowiki>https://ccs.bard.edu/redhook/another-c-word-on-content-and-the-techno-curatorial/index.html</nowiki>.
* Hromack, Sarah. 2015. “Another ‘C’ Word: On Content and the (Techno) Curatorial.” ''Red Hook Journal, CCS Bard'', Art Publishing & The Web, March. <nowiki>https://ccs.bard.edu/redhook/another-c-word-on-content-and-the-techno-curatorial/index.html</nowiki>.
* Sluis, Katrina. 2022. “Documentation in an Age of Photographic Hypercirculation.” In ''Documentation as Art''. Routledge.
* Steyerl, Hito. 2017. ''Duty Free Art: Art in the Age of Planetary Civil War''. London: Verso.
* Steyerl, Hito. 2017. ''Duty Free Art: Art in the Age of Planetary Civil War''. London: Verso.
* Wallerstein, Wade. 2018. “Circumventing the White Cube: Digital Curatorial Practices in Contemporary Media Landscapes.” Anti-Materia. 2018. <nowiki>https://anti-materia.org/circumventing-the-white-cube</nowiki>.
* Wallerstein, Wade. 2018. “Circumventing the White Cube: Digital Curatorial Practices in Contemporary Media Landscapes.” Anti-Materia. 2018. <nowiki>https://anti-materia.org/circumventing-the-white-cube</nowiki>.
* Yago, Dena. 2018. “Content Industrial Complex - Journal #89.” ''E-Flux'', no. 89 (March). <nowiki>https://www.e-flux.com/journal/89/181611/content-industrial-complex/</nowiki>.
* Yago, Dena. 2018. “Content Industrial Complex - Journal #89.” ''E-Flux'', no. 89 (March). <nowiki>https://www.e-flux.com/journal/89/181611/content-industrial-complex/</nowiki>.

Latest revision as of 15:39, 1 February 2024

  • Groys, Boris. 2014. On The New. London: Verso.
  • Hromack, Sarah. 2015. “Another ‘C’ Word: On Content and the (Techno) Curatorial.” Red Hook Journal, CCS Bard, Art Publishing & The Web, March. https://ccs.bard.edu/redhook/another-c-word-on-content-and-the-techno-curatorial/index.html.
  • Sluis, Katrina. 2022. “Documentation in an Age of Photographic Hypercirculation.” In Documentation as Art. Routledge.
  • Steyerl, Hito. 2017. Duty Free Art: Art in the Age of Planetary Civil War. London: Verso.
  • Wallerstein, Wade. 2018. “Circumventing the White Cube: Digital Curatorial Practices in Contemporary Media Landscapes.” Anti-Materia. 2018. https://anti-materia.org/circumventing-the-white-cube.
  • Yago, Dena. 2018. “Content Industrial Complex - Journal #89.” E-Flux, no. 89 (March). https://www.e-flux.com/journal/89/181611/content-industrial-complex/.