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Bilyana

  • Dekker, Annet, and Gaia Tedone. 2019. “Networked Co-Curation: An Exploration of the Socio-Technical Specificities of Online Curation.” Arts 8 (3): 86. https://doi.org/10.3390/arts8030086.
  • Ghidini, Marialaura. 2019. “Curating on the Web: The Evolution of Platforms as Spaces for Producing and Disseminating Web-Based Art.” Arts 8 (3): 78. https://doi.org/10.3390/arts8030078.
  • Graham, Beryl, and Sarah Cook. 2010. Rethinking Curating: Art after New Media. Leonardo Books. Cambridge, Massachusetts: MIT Press.
  • Groys, Boris. 2014. On The New. London: Verso.
  • Hromack, Sarah. 2015. “Another ‘C’ Word: On Content and the (Techno) Curatorial.” Red Hook Journal, CCS Bard, Art Publishing & The Web, , March. https://ccs.bard.edu/redhook/another-c-word-on-content-and-the-techno-curatorial/index.html.
  • Steyerl, Hito. 2017. Duty Free Art: Art in the Age of Planetary Civil War. London: Verso.
  • Wallerstein, Wade. 2018. “Circumventing the White Cube: Digital Curatorial Practices in Contemporary Media Landscapes.” Anti-Materia. 2018. https://anti-materia.org/circumventing-the-white-cube.
  • Yago, Dena. 2018. “Content Industrial Complex - Journal #89.” E-Flux, no. 89 (March). https://www.e-flux.com/journal/89/181611/content-industrial-complex/.