Content-Form/Bibliography/Bilyana: Difference between revisions

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[[Bilyana - Art-as-content|Art-as-content]]
<div class="contribution-title">[[Bilyana - Art-as-content|Art-as-content]]</div>


* Groys, Boris. 2014. ''On The New''. London: Verso.
* Groys, Boris. 2014. ''On The New''. London: Verso.

Revision as of 15:07, 1 February 2024

  • Groys, Boris. 2014. On The New. London: Verso.
  • Hromack, Sarah. 2015. “Another ‘C’ Word: On Content and the (Techno) Curatorial.” Red Hook Journal, CCS Bard, Art Publishing & The Web, , March. https://ccs.bard.edu/redhook/another-c-word-on-content-and-the-techno-curatorial/index.html.
  • Sluis, Katrina. 2022. “Documentation in an Age of Photographic Hypercirculation.” In Documentation as Art. Routledge.
  • Steyerl, Hito. 2017. Duty Free Art: Art in the Age of Planetary Civil War. London: Verso.
  • Wallerstein, Wade. 2018. “Circumventing the White Cube: Digital Curatorial Practices in Contemporary Media Landscapes.” Anti-Materia. 2018. https://anti-materia.org/circumventing-the-white-cube.
  • Yago, Dena. 2018. “Content Industrial Complex - Journal #89.” E-Flux, no. 89 (March). https://www.e-flux.com/journal/89/181611/content-industrial-complex/.