ServPub: Difference between revisions

This page was last edited on 17 June 2024, at 15:14.
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* [[Chapter 1: Collectivities and Methods]]
* [[Chapter 1: Collectivities and Methods]]
* [[Chapter 2: Server]]
* [[Chapter 2: Server]]
* [[ServPub/ch3]]
* Chapter 3:  Praxis Doubling
* [[ServPub/ch4]]
* Chapter 4a: Computational Publishing
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* [[ServPub/ch5]]
* [[ServPub/ch6]]
* [[ServPub/ch6]]
* [[ServPub/]]
* [[ServPub/]]

Revision as of 15:14, 17 June 2024

https://ctp.cc.au.dk/pad/p/servpub_book

 

ServPub

The proposed book is an extension of the platform ServPub, a social and technical infrastructure for research and practice in experimental publishing. It is developed by a collective of scholars, artists, activists, designers, creative technologists, working together to develop a self-hosted and self-organised sustainable resource and workflow for book production that challenges normative open publishing paradigms. The resulting publication will be both a critical account of the process of production and at the same time detailed documentation that allows others/publishers to produce/fork their own versions.

See more info herefor the Launch of Experimental Book Publishing Pilot Project ‘Servpub – A Collective Infrastructure to Serve and Publish’

Servpub involves the following groups: Slade School of Fine Art, part of the University College London; CSNI, a research centre at London South Bank University; SHAPE, a research project at Aarhus University focussed on digital citizenship; Minor Compositions, a publisher of books and media drawing from autonomous politics, avant-garde aesthetics, and the revolutions of everyday life; In-grid, a London-based trans*feminist collective of artists/educators/technologists working in and around digital infrastructure; Syster Server, an international collective run by feminists that offers internet-based FOSS tools to its network of feminists, queers and trans; Creative Crowds, a shared server for FLOSS publishing experiments to explore how different ways of working are shaped by (and shape) different realities.


Editorial contributions