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It also reminded me to the [https://nypost.com/2023/12/12/business/zara-pulls-ad-campaign-after-critics-said-it-resembled-gaza-dead/ fashion campaign that the brand Zara launched this year] and few months afterwards they withdrew it and apologised. In this case would it could be called "the meta-choreography of war". | It also reminded me to the [https://nypost.com/2023/12/12/business/zara-pulls-ad-campaign-after-critics-said-it-resembled-gaza-dead/ fashion campaign that the brand Zara launched this year] and few months afterwards they withdrew it and apologised. In this case would it could be called "the meta-choreography of war". | ||
== Thoughts from Pierre == | |||
Very interesting analysis! It makes me think about the "staged event" in relation to "the waltz of content", as we are being submerged with content, and so I wonder what the conditions under which the staging can be recognized? What's the role of public/reception/users in giving a status to that staging? | |||
Revision as of 12:24, 22 January 2024
It also reminded me to the fashion campaign that the brand Zara launched this year and few months afterwards they withdrew it and apologised. In this case would it could be called "the meta-choreography of war".
Thoughts from Pierre
Very interesting analysis! It makes me think about the "staged event" in relation to "the waltz of content", as we are being submerged with content, and so I wonder what the conditions under which the staging can be recognized? What's the role of public/reception/users in giving a status to that staging?