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'''Geoff Cox''' is Professor of Art and Computational Culture and Director of the Digital x Data Research Centre and CSNI at London South Bank University, as well as Adjunct Professor at Aarhus University. Research interests lie broadly across the fields of computational culture, contemporary art, and image politics, expressed though numerous published works and editorial roles including The Contemporary Condition (Sternberg Press), and DATA browser (Open Humanities Press). More info: [http://www.anti-thesis.net www.anti-thesis.net] | '''Geoff Cox''' is Professor of Art and Computational Culture and Director of the Digital x Data Research Centre and CSNI at London South Bank University, as well as Adjunct Professor at Aarhus University. Research interests lie broadly across the fields of computational culture, contemporary art, and image politics, expressed though numerous published works and editorial roles including The Contemporary Condition (Sternberg Press), and DATA browser (Open Humanities Press). More info: [http://www.anti-thesis.net www.anti-thesis.net] | ||
'''Nicolas Malevé''' is currently a postdoc at SciencesPo Medialab and School of Law. His current research focuses on the controversies between visual artists and artificial image generation platforms. This work lies at the intersection of aesthetics and computer science. As part of the PostGenAI@Paris project, he is studying how the questions raised therein relate to the formalising mechanisms of law and the ways of seeing at play in the legal world. | |||
'''Winnie Soon''' is a Hong Kong-born artist, coder and researcher interested in the cultural implications of digital infrastructure that addresses wider power asymmetries. Their works have been presented internationally across museums, galleries, festivals, and distributed networks. Currently, Winnie is an Associate Professor and Director of Art and Technology Studies at the Slade School of Fine Art, University College London. More info: [http://www.siusoon.net www.siusoon.net] | '''Winnie Soon''' is a Hong Kong-born artist, coder and researcher interested in the cultural implications of digital infrastructure that addresses wider power asymmetries. Their works have been presented internationally across museums, galleries, festivals, and distributed networks. Currently, Winnie is an Associate Professor and Director of Art and Technology Studies at the Slade School of Fine Art, University College London. More info: [http://www.siusoon.net www.siusoon.net] | ||
Revision as of 15:27, 7 January 2026
In-grid is a London-based trans*feminist collective of artists/educators/technologists working in and around digital infrastructure.
Minor Compositions is a publisher of books and media drawing from autonomous politics, avant-garde aesthetics, and the revolutions of everyday life.
noNames (aka Slade School of Fine Art, part of the University College London, and CSNI, a research centre at London South Bank University).
SHAPE is a research project at Aarhus University focussed on digital citizenship.
Systerserver is an international collective run by feminists that offers internet-based FOSS tools to its network of feminists, queers and trans.
+ names (max. 100 words)
Christian Ulrik Andersen is Associate Professor in Digital Design and Information Studies at Aarhus University. His research explores the art, culture, and aesthetics of interfaces – including theoretical work (e.g., The Metainterface, MIT Press 2018), experimental work, editorial work (including the journal APRJA) and a long-term collaboration with transmediale festival, Berlin. He is currently a Carlsberg Monograph Fellow at Aarhus Institute of Advanced Studies working on how sustainability, diversity, and pluralism are integrated into technologies as a response to the environmental, cultural, and societal effects of Big Tech.
Geoff Cox is Professor of Art and Computational Culture and Director of the Digital x Data Research Centre and CSNI at London South Bank University, as well as Adjunct Professor at Aarhus University. Research interests lie broadly across the fields of computational culture, contemporary art, and image politics, expressed though numerous published works and editorial roles including The Contemporary Condition (Sternberg Press), and DATA browser (Open Humanities Press). More info: www.anti-thesis.net
Nicolas Malevé is currently a postdoc at SciencesPo Medialab and School of Law. His current research focuses on the controversies between visual artists and artificial image generation platforms. This work lies at the intersection of aesthetics and computer science. As part of the PostGenAI@Paris project, he is studying how the questions raised therein relate to the formalising mechanisms of law and the ways of seeing at play in the legal world.
Winnie Soon is a Hong Kong-born artist, coder and researcher interested in the cultural implications of digital infrastructure that addresses wider power asymmetries. Their works have been presented internationally across museums, galleries, festivals, and distributed networks. Currently, Winnie is an Associate Professor and Director of Art and Technology Studies at the Slade School of Fine Art, University College London. More info: www.siusoon.net