Pdf:Content-Form

This page was last edited on 17 January 2024, at 14:56.
Revision as of 14:56, 17 January 2024 by Manetta (talk | contribs)


Content/Form

File:Minor essay.jpg

Placeholder caption

Colophon

A Peer-reviewed Newspaper

Volume 13, Issue 1, 2024.

Edited by all authors

Published by Digital Aesthetics Research Center, Aarhus University

Organised in collaboration with XXX

The publication was generated with wiki4print hosted on Servpub (https://servpub.net)

Publishing licence: XXX

Printing: XXX, Berlin. Printed in an edition of 2000 copies

Design: Manetta Berends & Simon Browne (CC) https://cc.vvvvvvaria.org

Fonts: All fonts used in this newspaper are published freely under the SIL Open Font License: https://scripts.sil.org/OFL XXX

  • Nice font
  • Nice font
  • Nice font
  • Nice font
  • Nice font
  • Nice font

ISSN: XXXX-XXXX (Print)

ISSN: XXXX-XXXX (PDF)


XXX XXX, organisation/university in city/country, and a few words in the form of a short bio.

XXX XXX, organisation/university in city/country, and a few words in the form of a short bio.

XXX XXX, organisation/university in city/country, and a few words in the form of a short bio.

XXX XXX, organisation/university in city/country, and a few words in the form of a short bio.

XXX XXX, organisation/university in city/country, and a few words in the form of a short bio.

XXX XXX, organisation/university in city/country, and a few words in the form of a short bio.

XXX XXX, organisation/university in city/country, and a few words in the form of a short bio.

XXX XXX, organisation/university in city/country, and a few words in the form of a short bio.

XXX XXX, organisation/university in city/country, and a few words in the form of a short bio.

XXX XXX, organisation/university in city/country, and a few words in the form of a short bio.

XXX XXX, organisation/university in city/country, and a few words in the form of a short bio.

XXX XXX, organisation/university in city/country, and a few words in the form of a short bio.

XXX XXX, organisation/university in city/country, and a few words in the form of a short bio.

XXX XXX, organisation/university in city/country, and a few words in the form of a short bio.

XXX XXX, organisation/university in city/country, and a few words in the form of a short bio.

XXX XXX, organisation/university in city/country, and a few words in the form of a short bio.

XXX XXX, organisation/university in city/country, and a few words in the form of a short bio.

XXX XXX, organisation/university in city/country, and a few words in the form of a short bio.

XXX XXX, organisation/university in city/country, and a few words in the form of a short bio.

XXX XXX, organisation/university in city/country, and a few words in the form of a short bio.

XXX XXX, organisation/university in city/country, and a few words in the form of a short bio.

XXX XXX, organisation/university in city/country, and a few words in the form of a short bio.

XXX XXX, organisation/university in city/country, and a few words in the form of a short bio.

XXX XXX, organisation/university in city/country, and a few words in the form of a short bio.







wiki-to-print

Manetta Berends, Simon Browne

This newspaper is made with wiki-to-print, a collective publishing environment based on MediaWiki software, Paged Media CSS2 techniques and the JavaScript library Paged.js3, which renders a preview of the PDF in the browser. Using wiki-to-print allows us to work shoulder-to-shoulder as collaborative writers, editors, designers, developers, in a non-linear publishing workflow where design and content unfolds at the same time, allowing the one to shape the other.

Following the idea of "boilerplate code" which is written to be reused, we like to think of wiki-to-print as a boilerplate as well, instead of thinking of it as a product, platform or tool. The code that is running in the background is a version of previous wiki-printing instances, including:

  • the work on the Diversions4 publications by Constant5 and OSP6
  • the book Volumetric Regimes7 by Possible Bodies8 and Manetta Berends9
  • TITiPI's10 wiki-to-pdf environments11 by Martino Morandi
  • Hackers and Designers'12 version wiki2print13 that was produced for the book Making Matters14

So, wiki-to-print/wiki-to-pdf/wiki2print is not standalone, but part of a continuum of projects that see software as something to learn from, adapt, transform and change. The code that is used for making this newspaper will be released as yet another version of this network of connected practices.

This wiki-to-print is hosted at CC15 (creative crowd). While moving from cloud to crowd, CC is a thinking device for us how to hand over ways of working and share a space for publishing experiments with others, to invite people in who we don't know, but without aiming to speak to an undefined anyone.

We're asking ourselves: How can CC be available AND unstable, public AND being paid for, free to be used AND situated, a production environment AND in transformation?

While surfing these contradictions, we are working on the collective guidelines for engaging with this server.

Visit https://cc.vvvvvvaria.org to have a look around, or contact us at info@varia.zone if you would like to be part of the creative crowd.

  1. https://www.mediawiki.org
  2. https://www.w3.org/TR/css-page-3/
  3. https://pagedjs.org
  4. https://diversions.constantvzw.org
  5. https://constantvzw.org
  6. https://osp.kitchen
  7. http://data-browser.net/db08.html + https://volumetricregimes.xyz
  8. https://possiblebodies.constantvzw.org
  9. https://manettaberends.nl
  10. http://titipi.org
  11. https://titipi.org/wiki/index.php/Wiki-to-pdf
  12. https://hackersanddesigners.nl
  13. https://github.com/hackersanddesigners/wiki2print
  14. https://hackersanddesigners.nl/s/Publishing/p/Making_Matters._A_Vocabulary_of_Collective_Arts
  15. CC is not a drop-in replacement of the Creative Cloud™.

Bibliography

A Wishlist for Trans*feminist Servers. 2022. https://etherpad.mur.at/p/tfs (See: Niederberger).

Adema, Janneka. “Publishing Strategies and Experimental Publishing.” Contemporary Aesthetics and Technology Research Programme, Aarhus University, 16 Dec 2021, Aarhus University (online). Lecture. (See: Soon).

Amoore, Louise. “Biometric Borders: Governing Mobilities in the War on Terror.” Political geography 25.3 (2006): 336–351 (See: Crichlow)

Apprich, Clemens, Chun, Wendy H.K., Cramer, F., and Hito Steyerl, editors. Pattern Discrimination. Meson Press, 2019. (See: Luchs).

Azoulay, Ariella Aïsha. Potential History: Unlearning Imperialism. Verso, 2019. (See: Yu)

Batchen, Geoffrey. "The art of archiving." Deep Storage: collecting, storing, and archiving in art (1998): 46-49. Munich: Prestel. (See: Soon).

Bender, Emily M., Timnit Gebru, Angelina McMillan-Major, and Shmargaret Shmitchell. “On the Dangers of Stochastic Parrots: Can Language Models Be Too Big? 🦜.” Proceedings of the 2021 ACM Conference on Fairness, Accountability, and Transparency, 610–23, 2021. (See: Förster)

Benjamin, Ruha. Race After Technology: Abolitionist Tools for the New Jim Code. Cambridge, UK: Polity, 2019. (See: Förster)

Berardi, Franco. The Soul at Work: From Alienation to Autonomy. The MIT Press, 2009. (See: Mladentseva).

Berlant, Lauren. “The Commons: Infrastructures for Troubling Times*.” Environment and Planning D: Society and Space 34, no. 3 (June 2016): 393–419. (See: Kir; ooooo, wessalowski, vo ezn, karagianni).

Berry, Wendell "Why I Am Not Going to Buy a Computer". New England Review and Bread Loaf Quarterly. 10 (1), 112–113, 1987. (See: Chávez Heras)

Bhowmik, Samir, and Parikka, Jussi. (2021). Memory Machines: Infrastructural Performance as an Art Method, Leonardo Journal MIT press, vol 54. (See: Kir).

Bowie, Simon. “What Is Computational Publishing?” Community-Led Open Publication Infrastructures for Monographs (COPIM), Community-Led Open Publication Infrastructures for Monographs (COPIM), 7 July 2022, https://copim.pubpub.org/pub/computational-publishing/release/1?readingCollection=c2b231d4. (See: Soon).

Brayne, Sarah. Predict and Surveil: Data, Discretion, and the Future of Policing. New York, NY: Oxford University Press, 2020. (See: Crichlow)

Brekke, Jaya Klara. “It is getting harder to have fun while staying poor.” In: Felix Stalder and Janez F. Janša, editors. From Commons to NFTs. Aksioma, 2022. (See: Gloerich).

Brunner, Christoph, Grit Lange, and nate wessalowski, eds. Technopolitiken Der Sorge. Wien: transversal texts, 2023. (See: ooooo, wessalowski, vo ezn, karagianni)

Bucher, Taina. The algorithmic imaginary: Exploring the ordinary affects of Facebook algorithms. Information, Communication & Society 20(1) (2017), 30-44. (See: Kir).

Campagna, Federico. Technic and Magic: The Reconstruction of Reality. Bloomsbury Publishing, 2018. (See: xenodata co-operative).

Chapman, David [Meaningness]. AI labs should compete to build the smallest possible language models … [Tweet]. Twitter (2022, October 1). https://twitter.com/Meaningness/status/1576195630891819008. (See: Förster).

Chun, Wendy Hui Kyong. Updating to Remain the Same : Habitual New Media. Cambridge, Massachusetts: The MIT Press, 2016. (See: Pold).

Chun, Wendy Hui Kyong. Discriminating Data: Correlation, Neighborhoods, and the New Politics of Recognition. Cambridge: MIT Press, 2021. Print. (See: Crichlow)

Constant. [Version 0.1] A Feminist Server. 2014. https://transhackfeminist.noblogs.org/post/2014/06/03/version-0-1-a-feminist-server-constantvzw/. (See: Niederberger)

Couldry, Nick, and Ulises A. Mejias. “Data Colonialism: Rethinking Big Data’s Relation to the Contemporary Subject.” Television & new media 20.4 (2019): 336–349. (See: Crichlow)

Crary, Jonathan. 24/7: Late Capitalism and the Ends of Sleep. Paperback ed, Verso, 2014. (See: Yu).

Deleuze, Gilles, and Félix Guattari. Kafka: Toward a Minor Literature [1975], Translated by Dana Polan. University of Minnesota Press, 1986. (See: Andersen & Cox; Fartan).

Deleuze, Gilles, and Félix Guattari. A thousand plateaus: Capitalism and schizophrenia. Translated by Massumi. University of Minnesota, Minneapolis (1987). (See: Lomi & Holt).

Drucker, Johanna. The General Theory of Social Relativity. Canada: The Elephants, 2018. (See: Pold).

Dyer-Witheford, Nick, Kjosen, Atle Mikkola, and James Steinhoff. Inhuman Power. Artificial Intelligence and the Future of Capitalism. Pluto Press, 2019. (See: Luchs).

Fisher, Mark. Capitalist Realism: Is There No Alternative? Zero Books, 2009. (See: xenodata co-operative).

Galloway, Alexander. Uncomputable: Play and Politics in the Long Digital Age. Verso Books, 2021.  (See: Yu)

Gamez, David. Human and Machine Consciousness. Open Book Publishers, 2018.  (See: Milne).

Gilroy, Paul. “Race Ends Here.” Ethnic and racial studies 21.5 (1998): 838–847. (See: Crichlow).

Goriunova, Olga. „Uploading our libraries: the subjects of art and knowledge commons“. Aesthetics of The Commons, edited by Felix Stalder, Cornelia Sollfrank, and Shusha Niederberger. Diaphanes, 2021, pp. 41-61. (See: Niederberger).

Graeber, David. The Democracy Project: A History, a Crisis, a Movement. New York, NY: Spiegel & Grau, 2013. (See: Gloerich).

Griffiths, Dave. “Coding With Threads: Frame Loom.” Weaving Codes – Coding Weaves, Dec. 2014, https://kairotic.org/2014/12/22/coding-with-threads-frame-loom/#more-120 (See: Kim).

Guez, Emmanuel, Stricot, Morgane, Broye, Lionel and Bizet, Stéphane. "The afterlives of network-based artworks". Journal of the Institute of Conservation, vol. 40, no. 2, 2017, pp. 105-120. (See: Mladentseva).

Halpern, Orit, et al. ‘Surplus Data: An Introduction’. Critical Inquiry, vol. 48, no. 2, Jan. 2022, pp. 197–210. DOI.org (Crossref), https://doi.org/10.1086/717320. (See: Yu).

Haraway, Donna. “A Manifesto for Cyborgs: Science, Technology, and Socialist Feminism in the 1980s.” In The Haraway Reader. New York: Routledge, 2004. (See: ooooo, wessalowski, vo ezn, karagianni).

Haraway, Donna. Staying with the Trouble: Making Kin in the Chthulucene. Experimental Futures: Technological Lives, Scientific Arts, Anthropological Voices. Durham: Duke University Press, 2016. (See: Fem).

Harlizius-Klück, Ellen. “Weaving as Binary Art and the Algebra of Patterns.” Textile: Cloth and Culture, Volume 15, Issue 2, 2017, pp. 176-197. (See: Kim).

Harney, Stefano, and Fred Moten. "The undercommons: Fugitive planning and black study." Minor Compositions (2013) (See: Lomi & Holt).

Hayden, Patrick. ‘From Political Friendship to Befriending the World’. The European Legacy, vol. 20, no. 7, Oct. 2015, pp. 745–64. DOI.org (Crossref), https://doi.org/10.1080/10848770.2015.1069082.  (See: Milne).

Hofmüller et.al. Are You Being Served? (notebooks). Brussels: Constant, 2014. https://areyoubeingserved.constantvzw.org/AreYouBeingServed.pdf. (See: Niederberger).

Hong, Cathy Park. Minor Feelings – An Asian American Reckoning. One World, 2020. (See: Andersen & Cox).

Hui, Yuk. ‘For a Planetary Thinking’. E-Flux, Dec. 2020, https://www.e-flux.com/journal/114/366703/for-a-planetary-thinking/.  (See: Milne).

Ito, Joi. “Resisting Reduction: A Manifesto”, Journal of Design & Science, October 13, 2017. https://jods.mitpress.mit.edu/pub/resisting-reduction/release/19. (See: Luchs).

Jaton, Florian. The Constitution of Algorithms: Ground-Truthing, Programming, Formulating. The MIT Press, 2021.  (See: Milne).

Kafka, Franz. Letters to Felice. Edited by Eric Heller and Jürgen Born. New York: Schocken Books, 1973. (See: Fartan).

Kafka, Franz. Letters to Friends, Family, and Editors. New York: Schocken Books, 1977. (See: Fartan).

Keyes, Os, et al. “Human-Computer Insurrection: Notes on an Anarchist HCI.” Proceedings of the 2019 CHI Conference on Human Factors in Computing Systems  - CHI ’19, ACM Press, 2019, pp. 1–13. DOI.org (Crossref), https://doi.org/10.1145/3290605.3300569. (See: Roscam Abbing).

Lampinen, Airi, et al. “Processes of Proliferation: Impact Beyond Scaling in Sharing and Collaborative Economies.” Proceedings of the ACM on Human-Computer Interaction, vol. 6, no., p. 41:1-41:22. January 2022, https://doi.org/10.1145/3492860. (See: Roscam Abbing).

Larsen-Ledet, Ida, et al. “(Un) Scaling Computing.” Interactions, vol. 29, no. 5, Aug. 2022, pp. 72–77. September - October 2022, https://doi.org/10.1145/3554926. (See: Roscam Abbing).

Latour, Bruno. On Technical Mediation: Philosophy, Sociology, Genealogy in Common Knowledge, Vol 3, Issue 2 (1994): 29-64. (See: Kir).

Lecercle, Jean-Jacques. “Another Philosophy of Language: Machines, Assemblages, Minority.” Deleuze and Language, 2002, pp. 174–201. https://doi.org/10.1057/9780230599956_8. (See: Fartan).

Lorde, Audre. "The master’s tools will never dismantle the master’s house." Feminist postcolonial theory: A reader 25 (2003): 27. (See: Lomi & Holt).

Mansoux, Aymeric, and Roel Roscam Abbing. “Seven Theses on the Fediverse and the Becoming of FLOSS.” In The Eternal Network: The Ends and Becomings of Network Culture, 124–40. Institute for Network Cultures and Transmediale, 2020. (See: ooooo, wessalowski, vo ezn, karagianni).

Margulis, Lynn, and Dorion Sagan. Microcosmos: Four Billion Years of Evolution from Our Microbial Ancestors. University of California Press, 1997. (See: Tyżlik-Carver).

Metzinger, Thomas. Being No One: The Self-Model Theory of Subjectivity. MIT Press, 2004. (See: Milne).

Palmer, Helen, et al. Situated Knowledge, Transmissions of Practice and Parasitic Endeavors. RUUKKU - Studies in Artistic Research, 16 Mar. 2018. https://www.researchcatalogue.net/view/371804/371805. (See: Fartan).

Phan, Theo and Scott Wark. “Racial formations as data formations”. Big Data & Society 8.2 (2021), p. 1–5. (See: Crichlow).

Romero, Renato. Radio Nature. Radio Society of Great Britain, 2010. (See: Domingos).

Rose, Janus. "I’m a Trans Woman – Here’s Why Algorithms Scare Me".  2019. Dazed. <https://www.dazeddigital.com/science-tech/article/43211/1/trans-algorithm-machine-learning-bias-discrimination-chelsea-manning-edit>. (See: Pold).

Sedgwick, Eve Kosofsky. Touching Feeling: Affect, Pedagogy, Performativity. Durham: Duke University, 2003. (See: Menotti).

Serpentine R&D Platform, and Rival Strategy, editors. Future Art Ecosystems: Issue 1. Art x Advanced Technologies. Serpentine R&D Platform, 2020, https://serpentine-uploads.s3.amazonaws.com/uploads/2020/07/Future-Art-Ecosystems-1-Art-and-Advanced-Technologies_July_2020.pdf. (See: Milne).

Simondon, Gilbert, Ninian Mellamphy, and John Hart. On the mode of existence of technical objects. London: University of Western Ontario, 1980. (See: Lomi & Holt).

Soon, Winnie. ‘Microtemporality: At the Time When Loading-in-Progress.’ Proceedings of the 22nd International Symposium on Electronic Art ISEA2016 Hong Kong, 2016, pp. 209–15. (See: Yu)

Soon, Winnie. “Software Publishing.” Experimental Publishing VI, Centre for Postdigital Cultures,  Coventry University, 24 Mar 2022,  Coventry University (online). Lecture. (See: Soon).

Stanfill, Mel. The interface as discourse: The production of norms through web design, new media & society Vol. 17 (2015) (See: Kir).

Stengers, Isabelle. In Catastrophic Times. Open Humanities Press, 2015 (See: Fartan).

Sudmann, Andreas. The Democratization of Artificial Intelligence. Net Politics in the Era of Learning Algorithms. Transcript, 2019. (See: Luchs).

Toupin, Sophie. “Feminist Peer Production.” In The Handbook of Peer Production, edited by Mathieu O’Neil, Christian Pentzold, and Sophie Toupin, 1st ed., 311–21. Wiley, 2020. (See: ooooo, wessalowski, vo ezn, karagianni).

Tsing, Anna. “On Nonscalability: The Living World is not Amenable to Precision-Nested Scales”. Common Knowledge, vol. 18, no. 3, 2012, pp. 505–524. (See: Luchs; Roscam Abbing; Lomi & Holt; Chávez Heras).

Tsing, Anna Lowenhaupt. The Mushroom at the End of the World: On the Possibility of Life in Capitalist Ruins. Princeton University Press, 2015. (See: Andersen & Cox).

Troncoso, Stacco, and Anne Marie Utratel. If Only I Had a Heart. A Disco Manifesto. 2019. https://disco.coop/wp-content/uploads/2019/11/DisCO_Manifesto-v.1.pdf. (See: Gloerich).

de Valk, Marloes. “A Pluriverse of Local Worlds: A Review of Computing within Limits Related Terminology and Practices.” LIMITS Workshop on Computing within Limits, June 202, https://doi.org/10.21428/bf6fb269.1e37d8be. (See: Roscam Abbing).

de Valk, Marloes. Damaged Earth Catalogue, 2022-, https://damaged.bleu255.com/Small_Technology/. Accessed 22 Jan, 2023. (See: Andersen & Cox).

de Vries, Patricia. Plot Work as an Artistic Praxis in Today’s Cityscapes. An Introduction to the Lectorate Art & Spatial Praxis / the City. Gerrit Rietveld Academy, 2022. (See: Gloerich).

VanRullen, Rufin, and Ryota Kanai. Deep Learning and the Global Workspace Theory. arXiv:2012.10390, arXiv, 19 Feb. 2021. arXiv.org, https://doi.org/10.48550/arXiv.2012.10390. (See: Milne).

Womack, Autumn. The Matter of Black Living: the Aesthetic Experiment of Racial Data, 1880-1930. Chicago, IL: The University of Chicago Press, 2022. Print. (See: Crichlow).

Wynter, Sylvia. “Novel and history, plot and plantation.” Savacou, vol. 5, no. 1, 1971, pp. 95-102. (See: Gloerich).

Zuberi, Tukufu. Thicker Than Blood: How Racial Statistics Lie. Minneapolis: University of Minnesota Press, 2001. (See: Crichlow).

Zulli, Diana, et al. “Rethinking the ‘Social’ in ‘Social Media’: Insights into Topology, Abstraction, and Scale on the Mastodon Social Network.” New Media & Society, vol. 22, no. 7, July 2020, pp. 1188–205. SAGE Journals, https://doi.org/10.1177/1461444820912533. (See: Roscam Abbing).

Artworks

Ada, Ada Ada. In Transitu. 2022. https://ada-ada-ada.art/projects/in-transitu. (See: Pold)

Bellum, Rekka and Linvega, Devine Lu. 100 Rabbits. https://100r.co/site/home.html. (See: Kir).

Callaghan, Josephine. Petits Filous (26,000 Rivers). https://www.cosmoscarl.com/. Accessed 2023. (See: Kir).

Dupras, Virgil. Collapse OS — Bootstrap Post-Collapse Technology. Accessed 2022. http://collapseos.org/. (See: Domingos).

Friend, Sarah. Lifeforms. 2021. https://lifeforms.supply/. (See: Gloerich).

Fermenting Data. since 2020. https://fermentingdata.net/.(See: Tyżlik-Carver)

File:Writing.jpg

Placeholder caption