31 January 2024
- 12:2912:29, 31 January 2024 diff hist +595 N Bilyana comment 13 Created page with "<!------------------------> <!-- do not remove this --> <div id="{{PAGENAME}}" class="comment"> <!------------------------> I find it particularly interesting how the self-curation on instagram can be a way of detaching from institutional patronages and valuation. But what happens when the post/account is distributed among connected users? Is our valuing of the image not influenced by our individual networks and hierarchies of people we follow/know/respect? <!------..."
- 12:2812:28, 31 January 2024 diff hist +533 N Bilyana comment 12 Created page with "<!------------------------> <!-- do not remove this --> <div id="{{PAGENAME}}" class="comment"> <!------------------------> I'd also be interested in examples? Perhaps an artist like Kenneth Goldsmith is interesting, here? (his ideas of uncreative writing, weather reports as literature, etc. - as well as his own archival practices, the archival practices as a reinvention of writing (in his case). <!------------------------> <!-- do not remove this --> </div> Cate..."
- 12:2712:27, 31 January 2024 diff hist +843 N Bilyana comment 11 Created page with "<!------------------------> <!-- do not remove this --> <div id="{{PAGENAME}}" class="comment"> <!------------------------> I appreciate the types of paradoxes that your contribution addresses. Perhaps related, a quote by Benjamin Noys about the paradox of value: “This paradox is simply stated: on the one hand, the artist is the most capitalist subject, the one who subjects themselves to value extraction willingly and creatively, who prefigures the dominant trend lin..."
- 12:2312:23, 31 January 2024 diff hist +905 N Bilyana comment 10 Created page with "<!------------------------> <!-- do not remove this --> <div id="{{PAGENAME}}" class="comment"> <!------------------------> Maybe you'd like to read this [https://constantdullaart.com/text/SPIKE-70-Surf-Clubs-2003-.pdf this article] by Constant Dullard & Charles Broskoski (co-founder of Are.Na). It’s fun and critical! I find it great how they discuss „informal publishing" „browsing", „exchanging between artists“, „information swapping“, „public versus p..."
- 12:2112:21, 31 January 2024 diff hist +455 N Bilyana comment 09 Created page with "<!------------------------> <!-- do not remove this --> <div id="{{PAGENAME}}" class="comment"> <!------------------------> If feeds are considered an archive, it's a shift from valorisation of the nation state to valorisation of platforms and corporate power to reproduce hierarchies which are now curated by algorithms. <!------------------------> <!-- do not remove this --> </div> Category:Content form - comment <!------------------------>"
- 12:1912:19, 31 January 2024 diff hist +544 N Bilyana comment 08 Created page with "<!------------------------> <!-- do not remove this --> <div id="{{PAGENAME}}" class="comment"> <!------------------------> What about the challenge of archiving and collection in museums? The V&A's rapid response from their digital department was doing some work in trying to collect Instagram, but how to archive a social media that's ever changing, what's the relationship between source code and execution? <!------------------------> <!-- do not remove this --> </d..."
- 12:1512:15, 31 January 2024 diff hist +518 N Bilyana comment 07 Created page with "<!------------------------> <!-- do not remove this --> <div id="{{PAGENAME}}" class="comment"> <!------------------------> On Instagram, there's an archive within the archive - you can archive the feed and your post archive is not public (it's only visible to you). This archive is also difficult to deplatformise and use somewhere outside of Instagram. Isn't archive a metaphor here? <!------------------------> <!-- do not remove this --> </div> Category:Content fo..."
- 12:1312:13, 31 January 2024 diff hist +408 N Bilyana comment 06 Created page with "<!------------------------> <!-- do not remove this --> <div id="{{PAGENAME}}" class="comment"> <!------------------------> It raises questions about the access to archive - open/closed? Also what are the roles of artistic archives/state archives/personal archives? <!------------------------> <!-- do not remove this --> </div> Category:Content form - comment <!------------------------>"
- 12:1012:10, 31 January 2024 diff hist +715 N Bilyana comment 05 Created page with "<!------------------------> <!-- do not remove this --> <div id="{{PAGENAME}}" class="comment"> <!------------------------> How does this relate to artists using the curation of instagram (and other platforms) as performance? An example could be Ada Ada Ada's project "in transitu", where she's exploring how the gender recognition models see her gender and when Instagram will censor her niples and thus see her as female (female nipples are not allowed on instagram)? In..."
- 12:0912:09, 31 January 2024 diff hist +502 N Bilyana comment 04 Created page with "<!------------------------> <!-- do not remove this --> <div id="{{PAGENAME}}" class="comment"> <!------------------------> I also wonder what you make of those who use these feeds as a canvas for an art project themselves. Many artists use separate instagram pages as a stage to host projects so to speak and perhaps this could also be interesting to look at? - Kendal <!------------------------> <!-- do not remove this --> </div> Category:Content form - comment..."
- 12:0812:08, 31 January 2024 diff hist +620 N Bilyana comment 03 Created page with "<!------------------------> <!-- do not remove this --> <div id="{{PAGENAME}}" class="comment"> <!------------------------> I'm interested in where these archives exist and the conditions that users agree to in order to create them, and how that is similar or different to earlier methods. And maybe how they become active or used in other contexts i.e. Meta using posts to train large language models (without any further consent, but as part of the conditions of the platf..."
- 12:0712:07, 31 January 2024 diff hist +530 N Bilyana comment 02 Created page with "<!------------------------> <!-- do not remove this --> <div id="{{PAGENAME}}" class="comment"> <!------------------------> What are the values according to which the content can be given a new status? Is it only numbers of followers (reminds me of Constant Dullaart's work on [http://dismagazine.com/dystopia/67039/constant-dullaart-100000-followers-for-everyone/ 100.000 Followers for Everyone]) <!------------------------> <!-- do not remove this --> </div> Categor..."
- 12:0512:05, 31 January 2024 diff hist −1 Bilyana comment 01 No edit summary Tag: Visual edit: Switched
- 12:0412:04, 31 January 2024 diff hist +695 N Bilyana comment 01 Created page with "<!------------------------> <!-- do not remove this --> <div id="{{PAGENAME}}" class="comment"> <!------------------------> I'm curious if you would make a distinction between the feed and the profile page, in the sense that artists could publish/document their work on Instagram under different modalities. Does the status of documentation change whether it appears in the users' feeds (flattened in the middle of other content), users' reels (temporary, signalling an even..."
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- 10:0510:05, 31 January 2024 diff hist +43 N Talk:Bilyana - Content as self-archiving Hungryxghost moved page Talk:Bilyana - Content as self-archiving to Talk:Bilyana - Art-as-content current Tag: New redirect
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27 January 2024
- 13:4813:48, 27 January 2024 diff hist +1,493 Talk:Marie Naja Lauritzen Dias →Thoughts from Bilyana: new section current
25 January 2024
- 15:4615:46, 25 January 2024 diff hist +563 Talk:Anya - How to be the internet you seek No edit summary
18 January 2024
- 16:1216:12, 18 January 2024 diff hist +1 Bilyana - Art-as-content No edit summary Tag: Visual edit
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- 16:0716:07, 18 January 2024 diff hist +5,175 N Bilyana - Art-as-content Created page with "<div class="metadata"> == Content as self-archiving: value shifts between the feed and the institution == '''Bilyana Palankasova''' </div>Digital curation, post-internet practices and the circulation of images online have often been read through a networked (and sometimes socio-material) lens and referred to as nodes (Graham and Cook 2010, 158; Steyerl 2017, 144; Ghidini 2019). This attention to network curation and co-curation (Dekker and Tedone 2019) takes particular i..." Tag: Visual edit