Revision as of 09:48, 31 January 2024 by Marie Naja (talk | contribs) (Created page with "<!------------------------> <!-- do not remove this --> <div id="{{PAGENAME}}" class="comment"> <!------------------------> Questions: what is the role of this media choreography in the image as a document? How does the performativity of a staged, scripted reality impact the "exhibition value" of war? And how does it impact the image's status as a document? I think a reading through a Benjamin lens is interesting along the lines of the massification of images but p...")
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Questions: what is the role of this media choreography in the image as a document? How does the performativity of a staged, scripted reality impact the "exhibition value" of war? And how does it impact the image's status as a document? I think a reading through a Benjamin lens is interesting along the lines of the massification of images but problematised by the instrumentalisation of war images in the media. I think other than poor images, Steyerl's "Documentary Uncertainty" might be relevant?